 
 
           
          
          Valerie Dimond: 
          
        
I 
          have been a client of Anthony Lane's 
          for almost 15 years. Even though 
          I live in Dallas I continue to depend 
          on Tony to keep my 19th-century 
          instrument sounding its best. There 
          is no violin maker in the United 
          States who has a better ear for 
          sound and can adjust a string instrument 
          the way that Tony can. He cares 
          about the sound as well as the looks 
          and value of instruments. It was 
          inevitable that I would commission 
          him to make a viola for me.  
           
        
I 
          have always played small violas. 
          After I heard Linda Ghidossi-DeLuca’s 
          viola, which Tony built in 1995, 
          I knew he would be able to create 
          a small viola for me that would 
          have the sound and power of a much 
          larger instrument. I needed my Lane 
          viola to be the size of my current 
          instrument so I could switch back 
          and forth at will, and I wanted 
          to enjoy playing and making music 
          on it as much as I enjoy my 19th-century 
          instrument. Tony has more than fulfilled 
          all my desires. When I played my 
          Anthony Lane 15 3/8” viola 
          for Andrew Litton, our music director, 
          the same week I picked it up, he 
          was amazed by the "warm, rich 
          tone color." 
        
Because 
          I believe that my Lane viola will 
          outlast me and be greatly valued 
          in the future, I had Tony inscribe 
          on the side of the instrument this 
          quotation inspired by Horace – 
          "Descende caelo et dic age 
          viola longum melos" – 
          an invocation to a muse in heaven 
          to come down and sing a long-continued 
          melody through this viola: a blessing 
          for all who will play on it. 
        
          Before joining the Dallas Symphony 
          violist Valerie Dimond was an active 
          player in Los Angeles's television 
          and film studios. 
        
Until 
          1989 she held the position of Assistant 
          Principal Violist of the New Jersey 
          Symphony Orchestra and also performed 
          with such noted New York City ensembles 
          as the Mostly Mozart Orchestra and 
          the New York (92nd St. "Y") 
          Chamber Symphony. 
        
A 
          graduate of the Juilliard School, 
          Ms. Dimond's teachers include Lillian 
          Fuchs, Donald McInnes, Raphael Spiro, 
          Sol Greitzer, and Jesse Levine. 
          While a student she was awarded 
          fellowships to the Aspen, Tanglewood, 
          Banff and Waterloo Festivals. 
        
She 
          has been a guest-faculty artist/teacher 
          at the Apple Hill Center for Chamber 
          Music (New Hampshire) and the Arkansas 
          Music Festival and has toured with 
          the Apple Hill Chamber Players. 
          She has most recently played with 
          the Sun Valley Music Festival and 
          Mainly Mozart Music Festival (San 
          Diego). 
        
Ms. 
          Dimond is familiar to radio audiences 
          for the live broadcast of her solo 
          viola recital as part of the Dame 
          Myra Hess Memorial series and a 
          CD of chamber works by contemporary 
          composers ("New Raptorial Moon" 
          on the Raptoria CAAM label) . 
        
As 
          a soloist, she performed the Mozart 
          Sinfonia Concertante (for violin 
          and viola) with the Dallas Symphony 
          and has also performed the Bartok 
          Viola Concerto with the Occidental/Cal-Tech 
          orchestra in Los Angeles. She was 
          a featured performing artist at 
          both the XXI and XXIII International 
          Viola Congresses. 
  
        
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